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Boulder Place Directory 05
Page 05
On January 23rd we descended rapidly through beautiful forest from Camp 71, where we had halted for the night, to a large _tambo_ called Enenas, in charge of an Italian. The place was situated in a beautiful valley intersected by a streamlet saturated with lime. It looked exactly like milk, and hurt your gums considerably when you drank it. The excellent mule I was riding had unfortunately hurt one of its legs while we were crossing a swollen torrent, where the mule and myself were nearly swept away in the foaming current. Riding on the lame animal, which was all the time stumbling and falling down on its knees, was unpleasant. In the narrow trail it was not possible to unload another animal and change the saddle, and it was out of the question for me to walk.
This charter, as will be readily seen, could not please the Virginians, since the entire territory conveyed by it was part of the grant of 1609 to the London Company for Virginia. But as this and subsequent charters had been annulled in 1624, the new colony was held by the Privy Council to have the law on its side, and Lord Baltimore was left to make his preparations undisturbed. He fitted out two vessels, the Ark and the Dove, and sent them on their voyage of colonization. They went by the way of the West Indies, arriving off Point Comfort in 1634. Sailing up the Potomac, they landed on the island of St. Clement's, and took formal possession of their new home. Calvert explored a river, now called the St. Mary's, a tributary of the Potomac, and being pleased with the spot began a settlement. He gained the friendship of the natives by purchasing the land and by treating them justly and humanely.
Reynolds was well-grounded in Venetian color, Bolognese composition, Parmese light-and-shade, and paid them the homage of assimilation; but if Gainsborough (1727-1788) had such school knowledge he positively disregarded it. He disliked all conventionalities and formulas. With a natural taste for form and color, and with a large decorative sense, he went directly to nature, and took from her the materials which he fashioned into art after his own peculiar manner. His celebrated Blue Boy was his protest against the conventional rule of Reynolds that a composition should be warm in color and light. All through his work we meet with departures from academic ways. By dint of native force and grace he made rules unto himself. Some of them were not entirely successful, and in drawing he might have profited by school training; but he was of a peculiar poetic temperament, with a dash of melancholy about him, and preferred to work in his own way. In portraiture his color was rather cold; in landscape much warmer. His brush-work was as odd as himself, but usually effective, and his accessories in figure-painting were little more than decorative after-thoughts. Both in portraiture and landscape he was one of the most original and most English of all the English painters--a man not yet entirely appreciated, though from the first ranked among the foremost in English art.
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