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Boulder Place Directory 10
Page 02
We walked and walked the entire day, until 6 p.m., covering a distance of 26 kil. The Indian Miguel worried me the whole day, saying that cutting the _picada_ was heavy work and he could not go on, as his finger was hurting him, and the pay he received--L1 sterling a day--was too small for the work he had to do. I had to keep constant watch on him, as he was a man of a slippery nature, and I did not know what he might do from one moment to another. Also he said we were simply committing suicide by trying to go through the virgin forest, as we should meet thousands of Indians who would attack us, and we had no chance of escape. I needed this man and his companion to carry my sextant and the unexposed photographic plates, some two hundred of them, which were of considerable weight.
When a people once homogeneous are separated geographically in such a manner that thorough inter-communication is no longer preserved, all of the agencies by which languages change act separately in the distinct communities and produce different changes therein, and dialects are established. If the separation continues, such dialects become distinct languages in the sense that the people of one community are unable to understand the people of another. But such a development of languages is not differentiation in the sense in which this term is here used, and often used in biology, but is analogous to multiplication as understood in biology. The differentiation of an organ is its development for a special purpose, _i. e._, the organic, specialization is concomitant with functional specialization. When paws are differentiated into hands and feet, with the differentiation of the organs, there is a concomitant differentiation in the functions.
It is, of course, quite true that no writer is bound by traditions of art, and there is no one who need consider how the thing has been done before, or follow a prescribed code. But for all that, art is not a thing of rules made and enforced by critics. All that critics can do is to determine what the laws of art are; because art has laws underlying it which are as certain as the laws of gravity, even if they are not known. The more permanent art is, the more it conforms to these laws; because the fact is that there is a vital impulse in the human mind towards the expression of beauty, and a vital discrimination too as to the form and method of that expression. Architecture, for instance, and music, are alike based upon instinctive preferences in human beings, the one for geometrical form, the other for the combination of vibrations. It is a law of music, for instance, that the human being prefers an octave in absolute unison, and not an octave of which one note is a semitone flat. That is not a rule invented by critics; it is a law of human perception and preference. Similarly there is undoubtedly a law which determines human preferences in poetry, though a far more complicated law, and not yet analysed. The new poet is not a man who breaks the law, but one who discovers a real extension of it.
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