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Boulder Place Directory 16
Page 08
The Saas chronicler, indeed, avers that the chapels were not built till 1709--a statement apparently corroborated by a date now visible on one chapel; but we must remember that the chronicler did not write until a century or so later than 1709, and though, indeed, his statement may have been taken from the lost earlier manuscript of 1738, we know nothing about this either one way or the other. The writer may have gone by the still existing 1709 on the Ascension chapel, whereas this date may in fact have referred to a restoration, and not to an original construction. There is nothing, as I have said, in the choice of the chapel on which the date appears, to suggest that it was intended to govern the others. I have explained that the work is isolated and exotic. It is by one in whom Flemish and Italian influences are alike equally predominant; by one who was saturated with Tabachetti's Varallo work, and who can improve upon it, but over whom the other Varallo sculptors have no power. The style of the work is of the sixteenth and not of the eighteenth century--with a few obvious exceptions that suit the year 1709 exceedingly well. Against such considerations as these, a statement made at the beginning of this century referring to a century earlier, and a promiscuous date upon one chapel, can carry but little weight. I shall assume, therefore, henceforward, that we have here groups designed in a plastic material by Tabachetti, and reproduced in wood by the best local wood-sculptor available, with the exception of a few figures cut by the artist himself.
It should be borne in mind that my account is based upon the statements of the aborigines of that region (the Gaboon). In this connection it may also be proper for me to remark that, having been a missionary resident for several years, studying, from habitual intercourse, the African mind and character, I felt myself prepared to discriminate and decide upon the probability of their statements. Besides, being familiar with the history and habits of its interesting congener (_Trogniger_, Geoff.), I was able to separate their accounts of the two animals, which, having the same locality and a similarity of habit, are confounded in the minds of the mass, especially as but few--such as traders to the interior, and huntsmen--have ever seen the animal in question.
And yet there is one thing in the present war which I do in my heart of hearts feel to be worth fighting for, and that is for the hope of liberty. It is hard to say what liberty is, because the essence of it is the subjugation of personal inclinations. The Germans claim that they alone know the meaning of liberty, and that they have arrived at it by discipline. But the bitterness of this war lies in the fact that the Germans are not content to set an example of attractive virtue, and to leave the world to choose it; but that if the world will not choose it, they will force it upon them by violence and the sword. It is this which makes me feel that the war may be a vast protest of the nations, which have the spirit of the future in their hearts, against a theory of life that represents the spirit of the past. And I thus, with some seeming inconsistency, believe that the war may represent the hope of peace at bay. If the nations can keep this clearly before them, and not be tempted either into reprisals, or into rewarding themselves by the spoils of victory, if victory comes; if it ends in the Germans being sincerely convinced that they have been misled and poisoned by a conception of right which is both uncivilised and unchristian, then I believe that all our sufferings may not be too great a price to pay for the future well-being of the world. That is the largest and brightest hope I dare to frame; and there are many hours and days when it seems all clouded and dim.
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