Boulder Place Directory 18

Against the right-hand wall are two lady-helps, each warming a towel at a glowing fire, to be ready against the baby should come out of its bath; while in the right-hand foreground we have the levatrice, who having discharged her task, and being now so disposed, has removed the bottle from the chimney-piece, and put it near some bread, fruit and a chicken, over which she is about to discuss the confinement with two other gossips. The levatrice is a very characteristic figure, but the best in the chapel is the one of the head nurse, near the middle of the composition; she has now the infant in full charge, and is showing it to St. Joachim, with an expression as though she were telling him that her husband was a merry man. I am afraid Shakespeare was dead before the sculptor was born, otherwise I should have felt certain that he had drawn Juliet's nurse from this figure. As for the little Virgin herself, I believe her to be a fine boy of about ten months old. Viewing the work as a whole, if I only felt more sure what artistic merit really is, I should say that, though the chapel cannot be rated very highly from some standpoints, there are others from which it may be praised warmly enough. It is innocent of anatomy-worship, free from affectation or swagger, and not devoid of a good deal of homely naivete. It can no more be compared with Tabachetti or Donatello than Hogarth can with Rembrandt or Giovanni Bellini; but as it does not transcend the limitations of its age, so neither is it wanting in whatever merits that age possessed; and there is no age without merits of some kind. There is no inscription saying who made the figures, but tradition gives them to Pietro Aureggio Termine, of Biella, commonly called Aureggio. This is confirmed by their strong resemblance to those in the Dimora Chapel, in which there is an inscription that names Aureggio as the sculptor.

The Latins had, as already stated, renewed their league with Rome in B.C. 356, and consequently their troops had fought along with the Romans in the war against the Samnites. But the increasing power of Rome excited their alarm; and it became evident to them that, though nominally on a footing of equality, they were, in reality, becoming subject to Rome. This feeling was confirmed by the treaty of alliance which the Romans had formed with the Samnites. The Latins, therefore, determined to bring matters to a crisis, and sent two Praetors, who were their chief magistrates, to propose to the Romans that the two nations should henceforth form one state; that half of the state should consist of Latins, and that one of the two Consuls should be chosen from Latium. These requests excited the greatest indignation at Rome, and were rejected with the utmost scorn. The Senate met in the Temple of Jupiter, in the Capitol, to receive the Latin deputation, and, after hearing their proposals, the Consul, T. Manlius Torquatus, the same who had slain the Gaul in single combat, declared that, if the Republic should cowardly yield to these demands, he would come into the senate-house sword in hand and cut down the first Latin he saw there. The tale goes on to say that in the discussion which followed, when both parties were excited by anger, the Latin Praetor defied the Roman Jupiter; that thereupon an awful peal of thunder shook the building; and that, as the impious man hurried down the steps from the temple, he fell from top to bottom, and lay there a corpse.

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