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Boulder Place Directory 18
Page 10
The following year (B.C. 274) closed the career of Pyrrhus in Italy. The Consul M'. Curius marched into Samnium, and his colleague into Lucania. Pyrrhus advanced against Curius, who was encamped in the neighborhood of Beneventum, and resolved to fight with him before he was joined by his colleague. As Curius did not wish to risk a battle with his own army alone, Pyrrhus planned a night-attack upon his camp. But he miscalculated the time and the distance; the torches burnt out, the men missed their way, and it was already broad daylight when he reached the heights above the Roman camp. Still their arrival was quite unexpected; but, as a battle was now inevitable, Curius led out his men. The troops of Pyrrhus, exhausted by fatigue, were easily put to the rout; two elephants were killed and eight more taken. Encouraged by this success, Curius no longer hesitated to meet the king in the open plain, and gained a decisive victory. Pyrrhus arrived at Tarentum with only a few horsemen. Shortly afterward he crossed over to Greece, leaving Milo with a garrison at Tarentum. Two years afterward he perished in an attack upon Argos, ingloriously slain by a tile hurled by a woman from the roof of a house.
We travelled along that great table-land, occasionally seeing a herd of llamas stampede away at the approach of the train, now and then observing circular stone walls erected by shepherds as shelters. A gable-roofed hut was occasionally seen. Picturesque natives in their _ponchos_ and red or yellow scarves gazed, astonished, at the train throbbing along slowly upon the steep gradient of that elevated barren country. The cold seemed intense after the tropical heat of Lima. It was snowing hard. In the daytime I generally travelled seated in front of the engine, in order to have a better view of the landscape. In the train everybody suffered from _soroche_ or mountain-sickness, which attacked most people when brought up quickly by the railway from the sea to such high elevations. I was driven away from the front of the engine by the cold rain and sleet beating with great force into my face, and obscuring the landscape to such an extent that I could see nothing at all.
This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.
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